Unfortunately the UBC talk has already come to pass. There’s always a bit of a lag between news on our Facebook group and this website. (More reason why you should check out our Facebook group more often, or at least, more often than me) But this was her topic and there’s a Queer Karaoke Night in conjunction with the event tomorrow on October 26.
Dr. Karen Tongson will give a public lecture titled Latchkey Aesthetics.Unsupervised, left alone and either fearful or bored, America’s suburban spawn have been called latchkey kids since at least World War II (when the label was purportedly invented to describe kids transiently orphaned by work as well as war). As a scholar of suburban affect, race, sexuality and performance, my work has explored the uniquely trashy, yet delectable confection of what I’ve elsewhere called a “latchkey aesthetics”—the effort at converting cultures of convenience and prefabricated, prêt-a-manger materials into art and performance. In this talk, I will elaborate upon how “latchkey aesthetics” repurposes found pop cultural materials (often from the 1970s-1990s). In performance pieces that feature the latchkey look, popular materials become easily accessible and “re-heatable” through postmillennial digital technologies—a practice that befits individual performers and small collaborations operating on shoestring budgets, and limited schedules for making art (not unlike the absent parents who helped cultivate the aesthetic to begin with).Of particular focus will be an ongoing project by Bobby Abate (aka “Bobby Service”) and Lynne Chan (aka “Black Waterfall.”) called New Sound Karaoke (http://newsoundkaraoke.com). NSK combines live performance, video, internet broadcasting and participatory club nights in various karaoke venues throughout New York, channeling Abate’s and Chan’s earnest investments in karaoke as an expressive and deeply intimate social pastime. Through Chan and Abate’s own vocal performances that mash-up, reheat, and reconstitute pop songbooks from multiple decades, as well as their stylized visual accompaniments, New Sound Karaoke becomes a performative exploration of race, sexuality, reproductivity and the thin line between homonormativity and hipster heterosexuality. By discussing not only what, but how Chan and Abate repurpose analog fantasies, we might be better able to understand the contemporary horizons of post-digital performanceDr. Karen Tongson is an Associate Professor at USC in English and Gender Studies. Dr. Tongson’s work on popular culture, queer studies, performance, music and literature has appeared in such journals as Social Text, GLQ, Nineteenth-Century Literature, Novel: A Forum on Fiction, and The International Journal of Communication, as well as in the anthologies Queering the Popular Pitch (Routledge), and The Blackwell Companion to LGBTQ Studies (eds. Haggerty and McGarry). Her first book, RELOCATIONS: Queer Suburban Imaginaries, was published August 1, 2011, as part of the New York University Press Sexual Cultures Series. Dr. Tongson is also a co-founder of the culture industry webzine OH! INDUSTRY (2007-2010).
Description taken from the Eventbrite page.